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I have been involved in user experience and human-computer interaction for more than 15 years.
My working method is characterized by my deep knowledge of theory, research, and practice and the ability to combine and apply these to create superior products.
I teach and apply agile, creative, and analytical methods, already proven successful in leading up to 10 teams at a time.
Using universal and intuitive design, my personal goal is to improve interaction between people worldwide.
Daniel Bühler, PhD, MA, MFA, MEd
UX Strategist & Product Owner
Award
Art Directors Club Germany
Europrix MultimediaAward – Gold
International Center for New Media
Graduate scholarship
The Society of Friends and Sponsors of the Folkwang University of the Arts
Merit scholarship
Friedrich Naumann Foundation
Multimedia State Award Austria – Innovation Award
State of Austria
Online Star Silver
Publishing Group Ebner Ulm
PhD scholarship
German Research Foundation
Postgraduate studies scholarship
Friedrich Naumann Foundation
Publication grant
Brandenburg Center for Media Studies
Research residency and travel grants
Brandenburg University of Technology, German Research Foundation, National Research Focus Image Criticism
Scholarship for gifted students
State of Rhineland-Palatinate
Scholarship for studies abroad
Friedrich Naumann Foundation
Student award for outstanding achievements in physics
German Physical Society
YoungTalent Award – Gold
German Multimedia Congress
Doctor of Philosophy (PhD) Human-Computer Interaction / Design Research
Brandenburg University of Technology Cottbus – Senftenberg
Master of Arts (MA) Design Studies
University of Duisburg-Essen / Folkwang University of Arts
Diplom Designer (MFA) Communication Design
Folkwang University of Arts
1. State Examination (MEd) General Psychology – Language and Cognition
University of Duisburg-Essen
Certified Professional for Usability and User Experience (Trainer Authorization)
UXQB – International Usability and User Experience Qualification Board e.V.
Design Thinking in Organizations
University of Potsdam, Hasso-Plattner-Institut
Digital Product Management
University of Virginia, Darden School of Business
Universal, Intuitive, and Permanent Pictograms:
A Human-Centered Design Process Grounded in Embodied Cognition, Semiotics, and Visual Perception
Springer Nature 2021
https://www.springer.com/de/book/9783658323097
Klassiker des ungarischen Films
(with Dominik Hilfenhaus et al.)
Schüren Verlag 2019
https://www.schueren-verlag.de/programm/titel/609–klassiker-des-ungarischen-films.html
Valenzen fotografischen Zeigens
(with Natascha Pohlmann et al.)
Jonas Verlag 2016
https://asw-verlage.de/katalog/valenzen_fotografischen_zeigens-1876.html
Universal and Intuitive? Scientific Guidelines for Icon Design
with Fabian Hemmert & Jörn Hurtienne. In: Proceedings of Mensch und Computer 2020 (MuC’20), September 6–9, 2020, Magdeburg, Germany. ACM, New York, NY, USA, 2020, 13 pages, DOI: 10.1145/3404983.3405518
New Aesthetics and Long-Standing Notions of Truthful Representation: On Post-Photographic Cell Phone Images and Hito Steyerl’s Documentary Work
In: Friedrich Tietjen, Maria Gourieva (eds.), After Post-Photography. International Journal of Cultural Research (ISSN 2079-1100), (4/37), 2019, S. 27-37
Let Truth be the Prejudice? Multimodale Diskursanalyse zur ‚Wahrheit‘ fotografischer Bilder am Beispiel der Agentur Magnum Photos
In: Christian Kreuz, Ruth Mell & David Römer (eds.), Aktuelle Tendenzen der interdisziplinären Diskursforschung. Diskurse – digital, (1.3), 2019, S. 111-131. DOI: 10.25521/diskurse-digital.2019.100
Amerikanische Ansichten / Amerikai anzix (1975) (Zum experimentellen Dokumentarfilm)
In: Daniel Bühler, Dominik Hilfenhaus & Stephan Krause (eds.), Klassiker des ungarischen Films. Marburg: Schüren Verlag 2019, S. 97-106
Das Fotobuch als multimodale Metapher am Beispiel von Geert van Kesterens Baghdad Calling (2008)
In: Digitalisierung, NEUE kunstwissenschaftliche forschungen (3), 2017, S. 48-57, DOI: 10.11588/nkf.2017.3.59518
Fotografisches Zeigen als motivierte Kommunikation. Zur fortwährenden Neu-Produktion von Fotografien in der Theorie Gunther Kress’
In: Katharina Sykora, Natascha Pohlmann, Daniel Bühler u.a. (eds.), Valenzen fotografischen Zeigens. Marburg: Jonas Verlag 2016, S. 284-299
Chambres d’Amis – X Wohungen – Erlkönig
In: Rahner, Pio (eds.), Erlkönig (Katalog zur Ausstellung), Bremen 2015, S. 4-15
Form und Funktion
In: Meier, Cordula (eds.), Begriffsgeschichte Designtheorie. Essen 2014 (im Druck)
Como Sr. Greenberg hubiera querido la foto / Comment Clement Greenberg aurait souhaité la photographie
(Spanisch / Französisch) In: EFE24, No. 1, Madrid 2010, S. 5-12
Association for Computing Machinery (ACM)
Special Interest Group Computer-Human Interaction (SIGCHI)
Association of scholarship holders and former scholarship holders of the Friedrich Naumann Foundation (VSA)
German Informatics Society (GI)
Department of Human-Computer Interaction
German Society for Media Studies (GfM)
Media Semiotics Working Group
German UPA
Working Group on Quality Standards
